I just was like, “What’d you tell me that for? You just ruined it. The day I bought my first Jimi Hendrix album, the guy at the record store, he said, “Oh, that guy just died today.” And I was pissed at the guy for telling me that. I could look at how other guys were playing, and I said, “Oh, I can do that.” And so I understood that, and then I just was into the guitar like crazy. That’s pretty much how I started in recording and figuring out how to lay down recordings and make sounds and stuff. And then… And as you go, you sort of lose stuff in the quality. So now you have two things on the one track, and then you play that one back and record on it, while you’re erasing the… And you just keep… And then you have three things on that track. You record on one track, and then you take that track, and play along with it, and then record onto the other track. And I just had like a two-track machine that I could do ping ponging.

Except for “Pick Up On My Mojo” by Johnny Winter and “DOA” by Blood Rock, all music for this episode comes from 1 by Cave Pool, which you can find here:Ĭurtis: That’s when I started recording, when I was 10. Our opening theme is “Start Again” by Monk Turner and Fascinoma. All of our best to you and to yours, from me, Flora, and all of ours. He’s the perfect person to represent goodwill toward men this holiday! I had a great time talking to him, and I’m grateful to get to work with him day in and day out. A very Merry Christmas Eve to you all! Here is our last episode of the season, an interview with Curtis Myers, longtime Austin sound engineer and shredder.

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